Michael Jerome plays the drums and percussion on four of the songs from the Moonlight Project I am creating with Peter Fox and Steve McCormick in Venice. Actually, those four songs now have over 23 versions combined, so we’re cloning him into smaller versions of himself, or wider versions, or wilder or quieter. I played him a version of “Starfall” on which no rhythm track is discernible, nothing but voice and a Hammond organ through a Leslie speaker. And he was ever gracious, effusive, not missing his beats at all.

Her voice is in several places, in other people's ideas but most importantly on her own composition, and listening to her voice without much expectation leaves you walking around rubber-legged. There are small Irish bars that celebrate their 500th anniversaries by pouring out free shots of mead made from the local honey, and her voice is the song you wish to carry away to remember the day you accidentally walked in and realized you were as far away from yourself as you have ever been or will ever go.

Her singular tone graces two songs, Starfall and Moon Light.